
Even before the 2020 pandemic and the accompanying lockdown/shelter-in-place mode, the line between theatrical and streaming movies had begun to blur. In order to meet the standard minimum qualification that movies be released theatrically to qualify for Academy Award consideration, studios would release a film in a few select theatres in New York and Los Angeles for a week or so and then launch into the streaming services for consumption at home by the world at large. Now, the powers that be have temporarily waved that in-person requirement, so the awards season will likely encompass a mix of platforms.
In recent days, my other half and I have watched several of these offerings in the comfort of our living room, thanks to Netflix and Amazon Prime. Here are these picks in no particular order, as we would deem them all worthwhile. There are several others that we have yet to watch that would probably belong on such a list, and one of our selections is admittedly pretty polarizing as far as what critics are currently saying.
The Trial of the Chicago 7–Netflix
Aaron Sorkin originally made a name for himself as a renowned script writer and television creator/producer. Yet, in 2017 he entered the directing realm with the excellent true-life poker tale Molly’s Game. In 2020, he brings us an eerily timely courtroom drama chronicling the federal trial against the leaders of the massive protests during the 1968 Democratic National Convention in Chicago.
Sasha Baron Cohen, aka Borat, headlines a terrific all-star cast with his amazing portrayal of sixties revolutionary Abbie Hoffman. Cohen’s display of Hoffman’s radical antics vividly contrasts the smooth ambition of fellow activist/defendant Tom Hayden, as portrayed by Eddie Redmayne. We the audience are forced to ponder challenging questions about the role of dissent in a free society.
The Life Ahead–Netflix
Italian screen legend Sophia Loren returns from a decade-long hiatus under the direction of her son Edoardo Ponti. Loren plays Rosa, an Italian Jewish woman who survived the horrors of the Holocaust as a child and made a living for herself through prostitution. Long retired from seeing clients, Rosa has transformed her home into a refuge for the children of sex workers in her seaside city. She develops an unlikely bond with a troubled pre-teen immigrant boy in need of both love and discipline. Yes, there are movie-of-the week clichés at work here, but ultimately I was inspired by the charm and resilience of Rosa and her unlikely community of wounded helpers.
Sylvie’s Love–Amazon Prime
This period drama features Tessa Thompson, as the title character Sylvie. Young Sylvie works in her family’s Harlem record store, while her fiancé fights in the Korean War. She finds herself swept up in a romance with mysterious Jazz musician Robert, played by Nnamdi Asomugha. The two return to their respective worlds. Sylvie is a wife, mother, and television producer. Robert is the quintessential entertainer on the road traveling from one gig to another. Yet, events take shape in a compelling “chick flick” fashion. The costumes, art direction, and music add to the delightful vibe.
Hillbilly Elegy–Netflix
Okay, I am going out on a limb on this one. This film has received largely negative reviews overall, though Glenn Close may still–deservedly–earn another acting nomination for the Oscar statue that has long eluded her. (I am keeping my fingers crossed.) Directed by veteran filmmaker Ron Howard, Elegy is based on J.D. Vance’s best-selling memoir about coming of age in a troubled family residing in Southern Ohio but still tied to the mountains of Eastern Kentucky.
I read and liked the book when it came out a few years ago, and I also found the new movie compelling on many levels. Vance’s politics skew to the right, so understandably some of his pronouncements about poverty, family strife, and addiction may rub at least some folks on the left the wrong way. Vance, shaped by the tough-love perspective of his colorful grandmother, has offered some controversial points of view. They are a mixed bag for me, but I can still appreciate Vance’s story and the way Howard brings it to life.
I also think it’s worth noting that Ron Howard possesses solidly liberal political beliefs and a track record for supporting progressive causes. I am not saying that solves all the controversy, but maybe that’s a dose of perspective at least. Books and movies shouldn’t have to be tied up in neat little packages. The messy tensions and challenges keep things interesting, I would argue.
Happy Streaming and Happy New Year!


